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Katharine Hilliard, mousy dean of a stuffy music school, meets and is insulted by swing band leader Barry Clayton on a train. To "show" him she takes a friend's advice, removes her glasses, and puts on a designer gown. Naturally, she becomes gorgeous. Soon, both Barry and crooner Jimmy Hale are after her, and she finds herself in the midst of triangles and misunderstandings.

Charming tale of affection, adventure, and wonder in which a young Inuit girl disobeys her mother and wanders away from home.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Released during the 2013 Lunar New Year, this heartwarming comedy features a beloved cast including Đan Trường, Miu Lê, Hiếu Hiền, Nam Cường, and Trấn Thành. Overflowing with charming, relatable moments, the film delivers hearty laughter to its audience. The story follows a sweet romance between two university classmates. He’s a poor but kind-hearted student who sells ice cream to pay his tuition. His sincerity and perseverance gradually win over the heart of a pretty girl in his class. Just as their feelings blossom, they face a major hurdle: her family disapproves of his humble background. Their love must overcome numerous obstacles, family prejudice, and a series of humorous, bittersweet situations.

In a hugely entertaining parody of her media persona, a pre-'Female Eunuch' Germaine Greer stars as a terrifyingly amorous woman who alternately cajoles, pursues and assaults a mild little man with cries of "Darling, do you love me?" until he succumbs to her strangling hands.

Ingmar is a narcissist with relationship issues and repeatedly manipulates and emotionally abuses his partners creating a cyclical panern of behavior.

Using interviews and filmed reconstructions, the director analyzes eroticism from the period of breastfeeding, in which the newborn feels pleasure from contact with the mother's breast until reaching adulthood.

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